​​Taking the next step in photography usually means getting a nicer camera than the one that's on your smartphone or a pocket-sized point-and-shoot. Now back in the day if you were really serious this meant getting a DSLR, the big fat camera that looks all professional, with more features, larger image sensors and the ability to change out lenses to best match what you're doing. But in the past few years, Mirrorless Cameras have started to really rival DSLRs.

Discover the new generation of Mirrorless Cameras

​Taking the next step in photography usually means getting a nicer camera than the one that's on your smartphone or a pocket-sized point-and-shoot. Now back in the day if you were really serious this meant getting a DSLR, the big fat camera that looks all professional, with more features, larger image sensors and the ability to change out lenses to best match what you're doing. But in the past few years, Mirrorless Cameras have started to really rival DSLRs.

Taking the next step in photography usually means getting a nicer camera than the one that's in your smartphone or a pocket-sized point-and-shoot. Now back in the day if you were really serious this meant getting a DSLR, the big fat camera that looks all professional, with more features, larger image sensors and the ability to change out lenses to best match what you're doing. But in the past few years mirrorless cameras have started to really rival DSLRs.

There are a ton of mirrorless cameras to choose from and every single one of them takes better photos than your smartphone. For under a $1000 you can get a great camera with a lens that can actually really expand your photographic capabilities. A great mirrorless camera not only takes great photos, it's easy to carry around, it’s fast and reliable has lots of buttons and dials to help you control your photos and has lots of different lenses that you can attach to it when you want to change things up.
objectives or goals
DSLR vs Mirrorless - which is better?

​Choosing your first Mirrorless Camera in 2018 could be a daunting task mainly because there are so many options starting with sensor size to video capabilities and more. Therefore I created a separate guide for you where I'm going to give you more detailed information about the thing you should consider while choosing your camera as well as my personal advice. I think that upgrading your camera gear is always an exciting experience, so I'm ready to help you make an informed decision.

Our Top 3 Picks

Beginner

  • ​Sony A6000
  • Fast AF System

Midrange

  • ​Olympus E-M10 Mark III
  • Compact and Stylish

Professional

  • Fujifilm X-T2
  • Excellent Image Quality

​Ultimate Guide to Buying Professional ​Mirrorless Camera

The Ultimate Guide to Buying Professional Video Camera
Choosing your first Mirrorless Camera in 2018 could be a daunting task mainly because there are so many options starting with sensor size to video capabilities and more. Therefore I created a separate guide for you where I'm going to give you more detailed information about the thing you should consider while choosing your camera as well as my personal advice. I think that upgrading your camera gear is always an exciting experience, so I'm ready to help you make an informed decision.
​So in this article, I will ​review the best possible camera choices for all the independent filmmakers for different budget ranges and for various shooting needs. Please note that this post is aimed mainly towards the filmmakers or anyone who are mostly concerned about the video feature of a camera. If you are more interested in photography then this ​post may not be for you, so keeping that ​in mind.

​​​​Since we are ​looking for a camera for all-purpose I decided to divide the article into three categories to keep the balance between price and quality. That way everyone can find best mirrorless camera depending on their needs.

​​​Since we are ​looking for a camera for all-purpose I decided to divide the article into three categories to keep the balance between price and quality. That way everyone can find best mirrorless camera depending on their needs.
​​​Since we are ​looking for a camera for all-purpose i decided to divide the article into three steps balancing between price and quality that each camera offers. That way I finally found the perfect mirrorless camera for all types of need.

Best Mirrorless Camera For Beginners

​​Since we are talking about ​Filmmaking let's start with the camera body itself.  Balancing between price and quality can be a little hectic. ​But according to my research, I found out the perfect combination of a camera.

​Sony A6000

Sony Alpha a6000
FUJIFILM X-T10
eos 750d

Sony Alpha a6000

​The Sony a6000 from the day of its release has been the best budget mirrorless camera, which is still true in 2017. So with 24 MP APS-C CMOS sensor, 11 frames per second burst, great Wi-Fi, and full 1080p recording it has no other alternative on the market especially considering its price. There are also new versions available in the Alpha series like; a6300 or a6500 but the price difference doesn't justify the feature improvement which comes with extra money.

The Sony a6000 from the day of its release has been the best budget mirrorless camera, which is still true in 2017. So with 24 MP APS-C CMOS sensor, 11 frames per second burst, great Wi-Fi, and full 1080p recording it has no other alternative on the market especially considering its price. There are also new versions available in the Alpha series like; a6300 or a6500 but the price difference doesn't justify the feature improvement which comes with extra money.
For under $1000 you can't do better than FUJIFILM X-T10, it's not the smallest mirrorless camera, but it's compact enough to fit in most any shoulder bag. The size is easy to hold and there are lots of buttons and dials on it that make it easy to adjust things when you're shooting. Of course there's also a dead simple Auto mode, for when you just want the camera to do the work for you. The X-T10 also has a great viewfinder, which not every camera offers. It also has a tilting screen which makes it easy to get shots from various angles. The autofocus system is quick and reliable and it can take great photos and all sorts of lighting conditions at your smartphone won't even touch.

The lens that comes with the X-T10 is a basic zoom, but it's optically stabilized which helps with low-light shots. The Fujifilm also has a wide variety of really great lenses that you can add to the X-T10, when you outgrow the kit lens and when it's time to edit and share your photos X-T10 has a built-in Wi-Fi to make it easy to transfer images right to your phone. The X-T10 is not the smallest or cheapest camera you can get but it does offer the all-around best package, but if you do want something smaller and cheaper you should look at Olympus's brand new EM10 mark II.

​​​Considering the fact that everyone ​is looking for a budget camera my only recommendation ​is the Canon 700D, which is also known as EOS Rebel T5i. ​First of all, you can get this camera for around $500. Sure there are new models available, but those small upgrades don't justify that big price jump. In my opinion, you should get this camera and spend extra cash on audio equipment and lenses rather than on camera body. ​

​Considering the fact that everyone ​is looking for a budget camera my only recommendation ​is the Canon 700D ​for many reasons. ​First of all, you can get this camera for around $500 sure there are new models available, but those small upgrades don't justify that big price jump. In my opinion, you should get this camera and spend the extra cash on audio equipment and lenses.

​The build quality of a6000 is exceptionally good with perfect ergonomics, to provide nice support during the shooting. The camera also features electronic viewfinder and a sharp LCD screen which can be used for checking exposure and focus. Plus the 24.3-megapixel APS-C CMOS sensor gives the options to shoot in 24, 30 or 60 frames per second in full 1080p and you also get Focus Peaking and Zebras. In addition, a6000 comes with Sony E-mount system, so you can get focal reducer or speed booster to turn this device into a mini full frame camera. And in case if you like to get a zoomed-in image without degrading the quality of your photos you can take advantage of Clear Image Zoom.

One of the main advantages of Sony is that It's actually pretty good in low-light conditions, with ISO range of 100-25600 that can be expanded to 51200. Obviously, it's not going to be as good as Sony a7S but it actually produces some pretty good images as well as video. The camera shoots in AVCHD or XAVC S  as well as in lower quality MP4  format which I would never recommend using. The XAVC S codec is actually a newer feature that became available after the new firmware update. The XAVC S codec is actually pretty nice which gives the option to record full HD 1080p video at 60, 30 and 24 fps in high-quality 50 Mbps, which is the broadcast standard data rate. Plus you have to keep in mind that if you really want to use this new format you would probably going to need much faster memory cards.

​The battery life is something that a lot of people don't like but it's worth noting that with Sony a6000 you can get about 45-minutes to 1-hour on a single charge, which is perfectly sufficient for beginners. Plus you can buy extra batteries and get an acceptable runtime to film the entire day without needing an extra power source.

​In conclusion, if you're looking for a small, affordable camera with a large sensor that can take really nice images in low-light and record quality video then you should definitely try Sony a6000. Everything that's wrong with this camera can be fixed and it really just comes down to your personal preference or the type of work you have to do. So if you're looking for image quality over audio options and a flat image profile then I would definitely go for Sony, because no other camera on the market has as many pros as a6000 at this price range.

In conclusion, if you're looking for a small, affordable camera with a large sensor that can take really nice images in low-light and record quality video then you should definitely try Sony a6000. Everything that's wrong with this camera can be fixed and it really just comes down to your personal preference or the type of work you have to do. So if you're looking for image quality over audio options and a flat image profile then I would definitely go for Sony, because no other camera on the market has as many pros as a6000 at this price range.
The battery life is something that a lot of people don't like but it's worth noting that with Sony a6000 you can get about 45-minutes to 1-hour on a single charge, which is perfectly sufficient for beginners. Plus you can buy extra batteries and get an acceptable runtime to film the entire day without needing an extra power source.
Although it's not 4k the T5i does produce a very film-like footage and paired up with the Canon lens you can get almost perfect full HD video. So overall for the budget filmmakers I would recommend canon rebel series cameras preferably T5i or T6i, which is also really nice if you have some extra money.

Pros

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    ​24 MP APS-C CMOS sensor
    24 MP APS-C CMOS sensor
    Flip-Out Screen
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    ​3-inch tilting LCD Screen
    3-inch tilting LCD
    High ISO Sensitivity
  • ​11 FPS continious shooting
    11 FPS continious shooting
    Good Price to Quality Ratio Touchscreen Ligh Weight Can be used for Photography as well
  • ​OLED electronic viewfinder
    OLED electronic viewfinder
  • ​Built-in Wi-Fi with NFC
    Built-in Wi-Fi with NFC
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    ​ISO 100-25600
    ISO 100-25600

​Cons

  • ​It doesn’t have a mic jack
    It doesn’t have a mic jack
    Not so good Auto Focus in Video Low Dynamic Range Rolling Shutter
  • ​LCD is not a touchscreen
    LCD is not a touchscreen

​Panasonic Lumix DMC-G7

Panasonic Lumix DMC-G7

Fujifilm X-T20
panasonic Lumix G7

The Panasonic G7 is the best mirrorless camera for beginners that can record in 4K UHD thanks to 16 megapixel Micro Four Thirds sensor. It's actually a little brother of Lumix GH4 and provides the same functionality but at less than half the cost. The camera itself is extremely lightweight and compact but more importantly, delivers top performance in any condition.

​Now not only does G7 record 4K, but it can record Full 1080p HD at 60 frames per second, which not many traditional DSLRs are capable in the same price range. Plus the main advantage of recording at 60 frames per second is that you can simply slow down the footage to 24 frames per second and create a slow-motion video in the post. Moreover, with the help of a speed booster, it's possible to use different lenses made for Canon or Nikon DSLRs. For instance, Sigma 18-35mm lens which is actually made for Canon APS-C DSLRs, though with a speed booster it can be used on the G7, which is currently one of the most popular lenses among Panasonic users. Plus the speed booster also gives it a faster F-stop so you can really max out the aperture and get that creamy bokeh.

The G7 has a really intuitive menu and fully articulating touchscreen, that works perfectly with a new autofocus system that helps you to adjust your focus while recording video or shooting photos. Plus having a fully articulating screen is a huge advantage for Youtuber's who are looking for a perfect vlogging camera. In addition, the camera also features built-in Wi-Fi and mobile app which enables users to control camera settings remotely. In addition, Panasonic G7 has a built-in microphone input jack along with the hot shoe mount on top, for your favorite external microphone to get the good audio quality because audio is just as important as video.

When it comes to the best budget mirrorless camera the G7 is at the top of the line. Actually, it's hard to find something cheaper than the G7, as it offers everything what you usually get in a premium cameras. You would be impressed with the quality and features that you get out of the box and it's definitely the best in its price range especially for video.
The Fujifilm XT 20 is the company's latest mid-range SLR-style Niroula scammer it features the same 24 megapixel apps-c sensor used in fuji films flagship cameras an improved autofocus system makes the next 20 a great upgrade for users who've outgrown their entry-level camera until want more control over their photography the next 20 features extensive direct control points for immediate access to exposure and focus settings the improved image sensor captures detailed images and now also records 4k video footage the next 20 also features a touchscreen that can be used to position the autofocus point in both Stills and video shooters we especially appreciate fuji films excellent JPEG engine which makes it easy to get great-looking print ready photos straight from the camera the next 20 reps up some of fuji film's best imaging technology until well priced well-featured body it's also a great entry point into one of the best lens systems on the market more information about the Fujifilm xt 20 and all things

Olympus OMD EM10 Mk II
Panasonic Lumix DMC-G7
The EM10 Mark II has many of the same features we look for like a tilting screen, great viewfinder and built-in Wi-Fi. Olympus also has a broadest range of mirrorless lenses to choose from when you want to add to your arsenal. Its controls are slightly less intuitive however and it can be daunting to pick up if you're new to photography.

​Good audio quality is just as important or even more important than having good video quality. Having said that this camera has a microphone input and a hot shoe adapter where you can slide in a shotgun mic. In addition, you have the ability to manually control the audio levels in camera. ​Moreover, G7 features pop-out articulating LCD screen and an electronic viewfinder so you can see exactly what you are recording without any interference.
here are many other options to look at such as Nikon’s weirdly compact 1 J5 or Panasonic's G7, neither of which hit the ideal size we're looking for.


Sony has been making great mirrorless cameras for years, but its a6000 is nearly 2 years old and due for a refresh.

Samsung packed lots of technology into the NX500, but forgot to add a viewfinder which makes it less appealing than our winners.


No matter which camera you pick you're going to get something that takes great photos in all sorts of lighting conditions, but if you want something that you can grow into with a great selection of lenses and lots of controls you're going to want the Fujifilm X-T10.

The Panasonic G7 offers 4K video at 24 and 30 frames per second, so if you are familiar with its older brother the Panasonic GH4 surprisingly you will notice that this camera has similar video quality at half the price. One area where the G7 actually shines over the Panasonic GH4 is at high ISOs such as 3,200 and 6,400. This camera has both automatic and manual exposure and focus, so you can take full control over the settings like most filmmakers do.​

​When it comes to the best budget mirrorless camera the G7 is at the top of the line. Actually, it's hard to find something cheaper than the G7, as it offers everything what you usually get in a premium cameras. You would be impressed with the quality and features that you get out of the box and it's definitely the best in its price range especially for video production.

Pros

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    ​4K Ultra HD Video
    4K Ultra HD Video
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    ​Touchscreen ​ ​ ​
    Touchscreen Built-in Wireless Electronic Built-in Viewfinder Articulating Screen
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    ​ 16 MP Live MOS Sensor
     16 MP Live MOS Sensor
  • ​Venus Engine 9 Image Processor
    Venus Engine 9 Image Processor
  • ​Built-In Wi-Fi
    Built-In Wi-Fi

​Cons

  • ​Plastic build​
    Plastic build
    APS-C rivals offer better dynamic range
    No Image Stabilization No Environmental Sealing
  • ​APS-C rivals offer better dynamic range

Best Midrange Mirrorless Camera

The biggest appeal of this camera is its price ta,g you get a 4k camera that records on Micro Four Thirds sensor for less than $1000 not only that, but since it has very similar sensor and processor to the GH4 the image quality is basically the same and actually is better in some ways such as ISO performance and the video is pretty good as well.

So who's this camera for? Well, this is for a prosumer someone that's a consumer but it's looking to get that next level grade video this is for someone that isn't really satisfied with the camcorders they want to step up the game a little bit, have 4k and really nice image quality.


The brand new Panasonic G7, the latest in the G Series the Panasonic G7 is often being touted as a mini GH4 because it's got 4k video it has the same kind of autofocusing system and a very similar sensor.

Overall if you're using the G7 for a video I think you're going to be very pleased with it. The quality is great it's got some nice features
good manual control and it's better than a lot of the competition.


The Panasonic G7 is by no means best budget 4K camera that has has a lot of features which will satisfy beginner filmmakers and in addition consumers who want 4k content.

Having good audio quality is just as important or even more important than having good video quality if you have a video that has bad audio it will immediately turn people off. This camera has a microphone input and a hot shoe adapter where you can slide in a shotgun mic. In addition, you have the ability to manually control the audio levels in camera.

Another feature is the pop-out articulating LCD screen, which will be extremely helpful if you are a one-mend band and need the screen to check whether the camera is on focus. This camera also has an electronic viewfinder so you can see exactly what you are recording without any interference from the Sun.

The Panasonic G7 offers 4K video at 24 and 30 frames per second if you are familiar with its older brother the Panasonic GH4 surprisingly this camera offers similar video quality at half the price. One area where the Panasonic G7 actually shines over the Panasonic GH4 is at high ISOs such as ISO 3200 and 6400.

This camera has both automatic and manual exposure and focuses settings so you can have the camera automatically focus on the closest subject or you can use the tap the focus feature to make focusing really simple if you want full control like most filmmakers to do.

You can also switch the camera to manual focus mode and focus manually. Exposure works the same way you can have auto exposure or you can take full control and set it to manual exposure, going along with manual focus this camera also has focus peaking which allows you to visually see what's in focus on your screen.

For the positive features it has and for the price, I think it's a great camera to have.




​Olympus OM-D E-M10 Mark III

Olympus OM-D EM-10 Mk III
Sony A9

Olympus OM-D E-M10 Mark III

​The ​E-M10 version of Olympus OM-D series has been a longtime favorite in the mirrorless market, so the newest model in the lineup is still one of the best in the category. Not only does it offer you a host of powerful features but it's also compact and user-friendly. In addition to great form factor, the camera has a tilting screen, great viewfinder, and built-in Wi-Fi, as well as broad range of mirrorless lenses to choose from. Even though it is an entry-level camera it does have quite a few exciting features, but most importantly it offers radical improvement compared to Mark II, addressing all the issues from the previous model.  The design here is very similar to the Mark II which means it's small, compact and stylish. Plus you get the retro body in two color variations silver and black. But, the main features of this camera is the ability to record 4k video, tilting LCD screen as well as great-looking 2.36 million dot OLED electronic viewfinder that has 100% coverage.

E-M10
The EM10 version of Olympus OM-D series has been a longtime favorite in the mirrorless market, so the newest model in the lineup is still one of the best in the category. Not only does it offer you a host of powerful features but it's also compact and user-friendly. In addition to great form factor, the camera has a tilting screen, great viewfinder, and built-in Wi-Fi, as well as broad range of mirrorless lenses to choose from. Even though it is an entry-level camera it does have quite a few exciting features, but most importantly it offers radical improvement compared to Mark II, addressing all the issues from the previous model. 
The EM10 version of Olympus OM-D series has been a longtime favorite in the mirrorless market, so the newest model in the lineup - Mark III is still one of the best in the category. Not only does it offer you a host of powerful features but it's also compact and user-friendly. In addition to great form factor, the camera has a tilting screen, great viewfinder, and built-in Wi-Fi, as well as broad range of mirrorless lenses to choose from. Even though it is an entry-level camera it does have quite a few exciting features, but most importantly offers radical improvement compared to Mark II, addressing all the issues from the previous model. 
Sony has really put their stamp on the camera market over the last few years. Recently overtaking Nikon in overall full frame camera market sales in the U.S. To continue this momentum, Sony has announced the A9 their newest stills camera that looks to please photographers looking for a properly pro body in a mirrorless form factor. The A9 has a 24 megapixel full frame sensor that uses their new stack CMOS sensor technology. The new stack sensor gives the A9 data processing speeds that are 20 times faster than any previous Sony full frame camera.

The Canon ESO 80D is a direct successor to the EOS 70D which was released not too long ago, but Canon has put a new sensor in the 80D which is now a 24.2 Megapixel (APS-C) CMOS sensor that's a big upgrade coming from the Canon 70D which had a 20-megapixel sensor. So you have four megapixels extra to work with, that's actually four million pixels extra.

​It's worth mentioning that something that hasn't changed is the resolution of the sensor, so there is still a 16-megapixel Live MOS sensor. Considering that this is an entry-level camera I think it's still certainly adequate, but it would be nice to see an upgrade in future models. Going on to what has changed, first of all, the camera now features new TruePic VIII Image Processor that's used on E-M1 Mark II so that's a big increase in power. The next big improvement is the image stabilization. As we all know Olympus's Sensor-shift image stabilization is already the best on the market and they've improved this feature as well on ​E-M10 Mark III. The following improvement is going to help you shoot in lower light conditions because you can take photos at a much lower shutter speed than you would normally be able to.

E-M10
OM-D E-M10 Mark III

Looking at the autofocus it's been bumped up to a 121 Autofocus Points compared to the 81 that was on Mark II, that's about a 50% increase and will definitely help to focus faster and be more responsive. Plus camera does decently well with moving shots but I will say as a caveat this is still a mid-level camera so don't expect this to be amazing. However, it is a definitely a marked improvement over the Mark II and quite functional for entry-level users who are not exclusively into sports photography. lastly,  the new E-M10 Mark III has gone through the major improvement in term of video recording, which means that now you can get really In-body 5-axis image stabilization and crisp high-quality 4K video.

Looking at the autofocus it's been bumped up to a 121 Autofocus Points compared to the 81 that was on Mark II, that's about a 50% increase and will definitely help to focus faster and be more responsive. Plus camera does decently well with moving shots but I will say as a caveat this is still a mid-level camera so don't expect this to be amazing. However, it is a definitely a marked improvement over the Mark II and quite functional for entry-level users who are not exclusively into sports photography. lastly,  the new E-M10 Mark III has gone through the major improvement in term of video recording, which means that now you can get really In-body 5-axis image stabilization and crisp high-quality 4K video.
The design here is very similar to the Mark II which means it's small, compact and stylish. Plus you get the retro body in two color variations silver and black. But, the main features of this camera is the ability to record 4k video, tilting LCD screen as well as great-looking 2.36 million dot OLED electronic viewfinder that has 100% coverage.
In the real world, this amounts to the A9 being able to shoot an impressive 20 frames per second with a buffer of up to 241 raw images or 362 jpegs. Sony is clearly targeting action sports and wildlife photographers with specs like that. Going up again Canon's EOS-1D X Mark II and Nikon's D5, the highest staples of that market.

Rounding out the specs the A9 has 693 face detection auto-focus points that covers 93 percent of the sensors frame, a 3.68 million dot OLED EVF that can run at a brisk 120 frames per second, Sony's 5 axis in-body stabilization, 4K video recording over sampled from a 6K readout, dual SD card slots and an improved battery life with their new 2280 milliamp hour rechargable batteries.


I was impressed with Sony's blackout free display's on the camera, while also claiming distortion free silent shooting with the electronic shutter, which allows a shutter speed of up to 1/32000 of a second. For their first time in Sony's lineup it looks like using the electronic shutter for its silent operation is a viable way to shoot with this camera most of the time. Allowing shooting anywhere where the sound of a mechanical shutter could ruin the moment you are trying to photograph; golf, weddings or wildlife for example. While Sony has included 4K video support like in the A7 R II its a bit disappointing to see that they have yet to include a log profile in the A9, which would have rounded out the camera's video features very nicely.

Since the new stack sensor should perform much better in terms of rolling shutter and the 24 megapixel sensor also makes this a very compelling hybrid stills and video camera on paper. Sony is likely saving the more video focused approach for their next entry in the A7 series of cameras.



Overall the A9 looks to be very well placed in the market to take on Canon and Nikon's offerings and at $4500 it is by no means a cheap camera, but for its target market it does come in $1500 cheaper than its competition.

​All in all the 80D is a pretty good camera considering all the features which you get ​at the price point. ​It's definitely a very pleasant upgrade ​from the previous model and has a lot more features than the other camera in the category which makes it perfect multi-purpose camera. So If you have some extra money to spend or if you are a bit more serious about your investment or you are simply looking for an upgrade than this can be a great option.​

My favorite improvement on the E-M10 Mark III is actually a usability improvement. Olympus has added a new shortcut button on the side and they also improved the menu system. So now you can simply press the shortcut button in any mode and be immediately presented with a list of the most common options that you would want to access. In a manual or semi-manual mode that may be like the info panel, but in a scene mode this lets you quickly choose different scene settings as well as more advanced photo modes which were not available in previous models. The menu system was also trimmed down quite a bit by removing some menu options in order to improve usability and create the intuitive menu which is easy to use.

​So the E-M10 Mark III is the improved version of the camera which I already thought was pretty good. The main difference is actually the faster Image Processor, better autofocus system, 4K video, a better embody image stabilization and improved grip to make it more comfortable to hold the camera and those really important usability improvements. Overall I think the E-M10 Mark III is one of the best mid-level cameras for someone who's looking for a balance of photo quality, a good feature set of manual controls, large lens selection, and very compact camera body.

So the E-M10 Mark III is the improved version of the camera which I already thought was pretty good. The main difference is actually the faster Image Processor, better autofocus system, 4K video, a better embody image stabilization and improved grip to make it more comfortable to hold the camera and those really important usability improvements. Overall I think the E-M10 Mark III is one of the best mid-level cameras for someone who's looking for a balance of photo quality, a good feature set of manual controls, large lens selection, and very compact camera body.

Pros

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    ​16MP Four Thirds CMOS sensor
    16MP Four Thirds CMOS sensor
    4.2 Megapixel (APS-C) CMOS sensor
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    ​5-axis image stabilization
    5-axis image stabilization
    Fast autofocus in Live View
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    ​4K video
    4K video
    Touch screen
  • ​8.6 fps continuous shooting
    8.6 fps continuous shooting
    Intelligent Viewfinder
  • ​2.36M-dot electronic viewfinder
    2.36M-dot electronic viewfinder
  • ​tilting touchscreen
    tilting touchscreen
  • ​ 330 shot-per-charge battery life
     330 shot-per-charge battery life

​Cons

  • ​No external mic jack ​
    an external mic jack or a headphone jack
    no headphone or microphone ports.
    ISO range is limited
  • ​No Environmental Sealing
    No Environmental Sealing
    no slow motion

My second peak for this list is another one from Canon and it is the Canon EOS 80D. If you have some extra money to spend or if you are a bit more serious about your investment or you are simply looking for an upgrade than this can be a great option. It has all the features of the 700D and even more. It also has superb autofocus ability in video mode, unlike the 700D.


The brand new Canon 80D has a 24.2 Megapixel (APS-C) CMOS sensor that's a big upgrade coming from the Canon 70D which had a 20-megapixel sensor with Canon's DIGIC 5+ image processor.

Considering all the features which you get with this camera at the price point I think it's a really good deal. This camera shoots extremely good video, it can shoot 1080p at 60 frames per second, it has much improved dynamic range the auto focusing on the Canon 80D is amazing it almost nails the critical focus on every single shot.

This camera feels great in the hint and has a very comfortable in ergonomic grip. The Canon 80D has built-in Wi-Fi and NFC and that means we can download Canon's App and connect remotely to the camera to pull images and easily upload them to a social network.

Personally, my favorite thing is remote shooting where you can see a wide representation of what the camera is shooting and from their control shutter speed our ISO or aperture and control the focus.

The Canon 80D also has a touchscreen and my favorite thing about it is being able to easily pinch to zoom to check your key focus. The Canon 80D is amazing and if you have the money I definitely recommend picking it up and if you don't start saving how this thing is amazing.


The Canon ESO 80D is a direct successor to the EOS 70D which was released not too long ago, but Canon has put a new sensor in the 80D which is now a 24.2-megapixel sensor compared to the 20.2-megapixel sensor of the 70D. So you have four megapixels extra to work with, that's four million pixels extra.

Now if we look at the 80D in terms of the external build it's going to be a very familiar layout compared to the previous models, not much has been moved around but there are some minor tweaks. For example, the speaker has been moved to just above the viewfinder so it actually faces you compared to being on the side of the camera on the previous models.


The 80D is welcomed with a new and redesigned user interface similar to what you get on the 5D Mark IV. So with this new user interface, you get smoother animations, the font is different and the menu design is much more organized. Plus now you can actually scroll through the image metadata in the playback menu to view a whole lot more info. For example the lens, the focal length and even more.

The picture style has also been upgraded you can now set detailed parameters for the sharpness setting, so apart from just a strength setting you can now also set the level of fineness also know as the radius and you can also set the threshold for the sharpening so we have more control over the sharpening filter. There's also a new fine detail picture style which was probably carried over from the 5D and know you can also set toning and filter effects for the monochrome picture style as well.

Now the 80D does not have GPS, but it does have Wi-Fi and it's moved on from the old EOS remote app to the new canon camera connect app. Personally, I really like the move because it is working much better than the EOS remote app and finally you can actually use it in video mode. Plus camera connect app enables you to remotely start and stop your video recording when you pair to the camera by Wi-Fi which is a really nice feature.

One nice touch Canons added to the 80D is that now you can do 60fps in 1080p which previously you could only do so in 720p and instead of saving the video files into an MOV file it now saves them into mp4 files for some reason.


So all in all the 80D is a pretty good camera however if I were to sum it up in one sentence I would say what's Canon did is that they've taken the feature set of a 5D they've crammed it into the body of 80D with improved specs. The 80D is a very pleasant upgrade it has a lot more features than the other camera in the category and it's a great camera to use. It's a very good multi-purpose camera and along with many tweaks that make a lot of sense and adds more convenience to the user. So yes the 80D is a very good camera and it's definitely a worthy upgrade from the 70D

Fujifilm X-T20

Fujifilm X-T20

Canon EOS 5D Mark IV
Fujifilm X-T20

​The Fujifilm X-T20 is the company's latest mid-range SLR-style mirrorless camera that's geared more towards photography. It features the same 24-megapixel APS-C sensor,  used on Fuji's flagship models and improved autofocus system which makes it a great upgrade for users who want to take some amazingly clearer pictures.

The Fujifilm X-T20 is the company's latest mid-range SLR-style mirrorless camera that's geared more towards photography. It features the same 24-megapixel APS-C sensor,  used on Fuji's flagship models and improved autofocus system which makes it a great upgrade for users who want to take some amazingly clearer pictures.
The Fujifilm X-T20 is the company's latest mid-range SLR-style mirrorless camera. It features the same 24 megapixel APS-C sensor, used in fuji films flagship cameras. An improved autofocus system makes the X-T20 a great upgrade for users who've outgrown their entry-level camera but still want more control over their photography. The X-T20 features extensive direct control points for immediate access to exposure and focus settings.

The Canon 5D Mark IV is probably the most favorite camera for indie filmmakers. Considering the fact that the previous generation of this beast the Canon 5D Mark III was the go-to camera for ​all independent filmmakers around the world. ​​The fourth-generation model ​is Canon's latest entry and while it is undeniably the best 5D camera yet it also has a particularly challenging job. Arriving four and a half years after the introduction of the mark III expectations are understandably high. The good news here ​is that for filmmakers the mark IV delivers on everything we've come to expect from the 5D name.

​The new retro style camera body looks beautiful from every angle and it's not just a pretty face it's made mostly of magnesium alloy so it's super durable. Plus the metallic dials are really well built and they're a pleasure to use. In addition, the camera does have a microphone jack which is great, but it's a 2.5-millimeter connection meaning that all your standard 3.5-millimeter microphones will require an adapter. Another letdown of the XT-20 is the practically inexistent grip which makes for an uncomfortable experience if you have larger hands and for now the only solution you have is to buy one of the many grip adapters sold online. The battery life could be better, it's rated at 350 shots which is not too bad, but if you're planning on filming you'll need additional batteries as it drains them at a much faster rate.

Fujifilm X-T20 Mirrorless Digital Camera

The improved image sensor now takes high-quality images and also records 4k video footage. The X-T20 also features a touchscreen that can be used to position the autofocus point in both Stills and video mode. It's also worth mentioning that Fujifilm’s has the excellent JPEG engine, which makes it easy to get great-looking print ready photos straight from the camera. The X-T20 reps up some of Fujifilm's best imaging technology all provided in a well priced camera body. It's also a great entry point into one of the best lens systems on the market. Moreover, the camera has an amazing articulating display which is touch sensitive and proves to be quite responsive when changing focus or taking a shot. You can also zoom in and flip through your pictures same as you would on your phone. Also, there is an integrated flash to help in low-light situations and even if it's small in size it won't have any problem in eliminating a dark room or a subject at night.

​Something to keep in mind is that once you have the camera on a tripod you won't be able to access the battery and memory card slot, meaning that you'll have to take it off the tripod each time you need to change them and if that wasn't frustrating enough the mounting point is not centered with the lens which some photographers might dislike.

Something to keep in mind is that once you have the camera on a tripod you won't be able to access the battery and memory card slot, meaning that you'll have to take it off the tripod each time you need to change them and if that wasn't frustrating enough the mounting point is not centered with the lens which some photographers might dislike.

In conclusion, if you're looking for a good photography camera the XT-20 is a great choice with its quick startup 325 focus points and a good noise reduction. Overall, you won't find much to complain about, but if you're looking for a capable video camera you might want to skip this one, as it limits 1080p recording to 15 minutes and 4k video to 10 minutes.

In conclusion, if you're looking for a good photography camera the XT-20 is a great choice with its quick startup 325 focus points and a good noise reduction. Overall, you won't find much to complain about, but if you're looking for a capable video camera you might want to skip this one, as it limits 1080p recording to 15 minutes and 4k video to 10 minutes.
The improved image sensor captures detailed images and now also records 4k video footage. The X-T20 also features a touchscreen that can be used to position the autofocus point in both Stills and video shooting. We especially appreciate Fujifilm’s excellent JPEG engine, which makes it easy to get great-looking print ready photos straight from the camera. The X-T20 reps up some of Fujifilms’s best imaging technology until well priced well featured body. It's also a great entry point into one of the best lens systems on the market.

Overall the EOS 5D Mark IV follows its predecessor's footsteps and offers some unique design and exciting features which you are going to love especially if you like the Canon's picture profile.​ In today's highly competitive market we often think it isn't good enough for a camera to excel at just one thing, but what Canon has shown with a 5D Mark IV is that it's a multipurpose DSLR which can handle everything with same quality.
4K video recording at 30p or 24p

Pros

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    ​16MP - Four Thirds CMOS Sensor
    16MP - Four Thirds CMOS Sensor
    Full-frame sensor
    Dual Pixel AF
    Superior high ISO capability
    Touchscreen
    Wi-Fi
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    ​5-axis ​Image Stabilization
    5-axis Sensor-shift Image Stabilization
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    ​Fully Articulated Screen
    Fully Articulated Screen
  • ​4K video resolution
    4K - 3840 x 2160 video resolution
  • ​Built-in Wireless
    Built-in Wireless
    Wi-Fi with NFC + GPS
  • ​Weather Sealed Body
    Weather Sealed Body

​Cons

  • ​Poor Low Light Performance
    Low Battery Life
    camera appears little heavier
  • ​Low Battery Life
    The grip is quite small
    HDMI-out limited to 1080p

​Panasonic Lumix G85/G80

Panasonic Lumix G85/G80

PANASONIC LUMIX G85

​The Panasonic Lumix DMC-G85 is a mirrorless camera which has a lot of great features such as 4k video, the second generation 5x image stabilization and the 16-megapixels sensor which eliminates the need for low-pass filters. Actually, it's the successor to the Panasonic G7 and shares its DSLR style design with twin control dials and fully articulating touchscreen.

The camera gains in body 5-Axis image stabilization and Dual I.S. which make it very easy to use for handheld shots or video. Speaking of a video it's 4k capable and has a microphone jack, but no headphone jack. The mic input is somewhat inconveniently located though. One major improvement is the addition of weather and dust sealing, the G85 also gets a dedicated memory card door. The shutter mechanism is now electromagnetic and the front plate is made of magnesium. The G85 features Panasonic's Depth From Defocus technology which provides reliable in-depth and subject tracking. Lastly, the camera has new in-camera focus stacking mode which is fairly easy to use and enables you to select several focus points in the same image.

​What I like the most about this models is the power efficiency mode which gives you the option to take around 600 to 800 photos depending on sleep mode settings. This makes it a great choice for photographers because that way you don't miss a single shot. Plus its weather-sealed so you can take it with you anywhere you go without having to worry about the environment. Overall the G85 offers a compelling package and in many ways everything we wanted in G7.

What I like the most about this models is the power efficiency mode which gives you the option to take around 600 to 800 photos depending on sleep mode settings. This makes it a great choice for photographers because that way you don't miss a single shot. Plus its weather-sealed so you can take it with you anywhere you go without having to worry about the environment. Overall the G85 offers a compelling package and in many ways everything we wanted in G7.
The camera gains in body 5-Axis image stabilization and Dual I.S. which make it very easy to use for handheld shots or video. Speaking of a video it's 4k capable and has a microphone jack, but no headphone jack. The mic input is somewhat inconveniently located though. One major improvement is the addition of weather and dust sealing, the G85 also gets a dedicated memory card door. The shutter mechanism is now electromagnetic and the front plate is made of magnesium. The G85 features Panasonic's Depth From Defocus technology which provides reliable in-depth and subject tracking. Lastly, the camera has new in-camera focus stacking mode which is fairly easy to use and enables you to select several focus points in the same image.

Pros

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    ​24MP APS-C CMOS Sensor
    24MP - APS-C CMOS Sensor
    Full-frame sensor
    Dual Pixel AF
    Superior high ISO capability
    Touchscreen
    Wi-Fi
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    ​3″ Tilting Screen
    3″ Tilting Screen
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    ​Electronic viewfinder
    Electronic viewfinder
  • ​14 fps continuous shooting
    14 fps continuous shooting
  • ​Built-in Wireless
    Built-in Wireless
    Wi-Fi with NFC + GPS
  • ​4K video ​
    4K - 3840 x 2160 video resolution
  • ​ISO 200 - 12800
    ISO 200 - 12800

​Cons

  • ​Low Battery Life
    Low Battery Life
    camera appears little heavier
  • ​The grip is quite small
    The grip is quite small
    HDMI-out limited to 1080p

​Sony A6300

Sony Alpha A6300

Sony Alpha a6300

​The Sony a6300 is the company's latest mid-range mirrorless camera and although the body and pixel count may sound familiar almost everything has been changed. The camera features 24.2 MP APS-C Exmor CMOS sensor and 425 autofocus points spread across the entire frame for high precision focus and video AF. Even though the styling is similar to a6000, the camera's body is much more substantially built with improved dust and moisture sealing. Moreover, viewfinder gets a resolution bump and the camera can now provide live feed in between shots at up to 8 frames per second. Plus, video shooting capabilities have also been upgraded, so now it's possible to capture 4k video at up to 30 frames per second.

​The Sony a6300 has the worlds fastest claimed autofocus with 425 phase detection points and more importantly it is run by Bionz X Image Processor engine, with a wide ISO range of 51200. But most importantly what the tech community has been going crazy about is the ability to record 4k video internally, with full pixel readout and no pixel pinning.  It's technically a 6k image being scaled down to 4k and pretty much everything on the spec sheet just screams impressive and in addition to that it also has a microphone port, so obviously, it is the best mid-range mirrorless camera available on the market today.

a6300 Mirrorless Digital Camera

​The camera offers pretty much all of same settings and options as the Sony a7R and a7S but within a reasonable price point. Plus you can use a wide variety of picture profiles, as well as S-Log2 and S-Log3 if you would like to grade your footage. Everything looks amazing and it just really blows me away how much it is able to achieve at such a form factor and price points.

​On top of the beautiful video quality, something else that is worth mentioning is the low-light performance and I mean it is very good. So the question still stands is this the best entry level camera? And the answer is Yes. But to be able to enjoy this camera and use it effectively you're going to have to get used to the menus, a bad battery life and the fact that you do not have a touchscreen to navigate the menu. Other than that it's a perfect camera.

Overall Sony Alpha 6300  is a great choice for a beginner photographer or experienced looking for a backup camera but don't want to spend thousands of dollars. Plus it is advertised as the camera with world's fastest autofocus speed of 0.05 seconds and the recent test shows that the following numbers are right. So with new magnesium alloy body and perfect ergonomics a6300 would be your perfect companion in any situation.  

On top of the beautiful video quality, something else that is worth mentioning is the low-light performance and I mean it is very good. So the question still stands is this the best entry level camera? And the answer is Yes. But to be able to enjoy this camera and use it effectively you're going to have to get used to the menus, a bad battery life and the fact that you do not have a touchscreen to navigate the menu. Other than that it's a perfect camera.


Overall Sony Alpha 6300  is a great choice for a beginner photographer or experienced looking for a backup camera but don't want to spend thousands of dollars. Plus it is advertised as the camera with world's fastest autofocus speed of 0.05 seconds and the recent test shows that the following numbers are right. So with new magnesium alloy body and perfect ergonomics a6300 would be your perfect companion in any situation. 
The camera offers pretty much all of same settings and options as the Sony a7R and a7S but within a reasonable price point. Plus you can use a wide variety of picture profiles, as well as S-Log2 and S-Log3 if you would like to grade your footage. Everything looks amazing and it just really blows me away how much it is able to achieve at such a form factor and price points.
The Sony a6300 has the worlds fastest claimed autofocus with 425 phase detection points and more importantly it is run by Bionz X Image Processor engine, with a wide ISO range of 51200. But most importantly what the tech community has been going crazy about is the ability to record 4k video internally, with full pixel readout and no pixel pinning.  It's technically a 6k image being scaled down to 4k and pretty much everything on the spec sheet just screams impressive and in addition to that it also has a microphone port, so obviously, it is the best mid-range mirrorless camera available on the market today.

Pros

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    ​24.2 MP APS-C Exmor CMOS
    24.2 MP APS-C Exmor CMOS
    24MP - APS-C CMOS Sensor
    Full-frame sensor
    Dual Pixel AF
    Superior high ISO capability
    Touchscreen
    Wi-Fi
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    ​Weather sealed body ​ 
    Electronic viewfinder
  • ​4K (UHD) video capable
    14 fps continuous shooting
  • ​Wi-Fi with NFC connection
    Wi-Fi with NFC connection
    Built-in Wireless
    Wi-Fi with NFC + GPS
  • ​425 phase detection points
    425 phase detection points
    ISO 200 - 12800

​Cons

  • ​Short battery life
    Short battery life
    Low Battery Life
    camera appears little heavier
  • ​No dedicated headphone jack
    No dedicated headphone jack
    The grip is quite small
    HDMI-out limited to 1080p

​Best Mirrorless camera For Professionals

Best Mirrorless Camera For Professionals

​Fujifilm X-T2

Fujifilm X-T2
Sony A7s mark II

Fujifilm X-T2

​The XT-2 is Fujifilm's flagship mirrorless interchangeable lens camera aimed at hands-on photographers wanting a camera that can deliver good images in many different shooting situations. It comes with a new 24-megapixel X-Trans sensor as well as extensive external controls and the same solid build as the previous generation XT-1. Excellent image quality and superb JPEG color make this a favorite for enthusiasts who prefer traditional controls and the color that Fujifilm cameras are famous for. A broad feature set, updated video, and autofocus systems, as well as large range of compatible lenses, round out the X-T2's capabilities. In addition, Fujifilm's history of continuous improvement and firmware updates reassures us that this camera will stay current.

The XT-2 is Fujifilm's flagship mirrorless interchangeable lens camera aimed at hands-on photographers wanting a camera that can deliver good images in many different shooting situations. It comes with a new 24-megapixel X-Trans sensor as well as extensive external controls and the same solid build as the previous generation XT-1. Excellent image quality and superb JPEG color make this a favorite for enthusiasts who prefer traditional controls and the color that Fujifilm cameras are famous for. A broad feature set, updated video, and autofocus systems, as well as large range of compatible lenses, round out the X-T2's capabilities. In addition, Fujifilm's history of continuous improvement and firmware updates reassures us that this camera will stay current.
​​The Sony a7S Mark II is the best camera for all the independent filmmakers to look for. It has a ​12.2-megapixel ​lens which ​shoots stunning 4K footage internally with this full-frame Exmor CMOS sensor, even in extremely low light condition. ​You also got a ton of video features such as zebras, focus peaking and​ most importantly Sony's V-Log picture profile. ​

​​The camera body looks pretty similar to the XT-1, there's not a huge difference except improved ergonomics and new dials which are a little bit nicer. One thing they have added is the little joystick called the focus lever, that lets you instantly change the focusing point. Plus dual SD card slots both UHS-II compatible, USB 3.0 port and standard 3.5-millimeter microphone input jack. The camera also features a high-resolution 24-megapixel sensor which is comparable to most DSLRs, so if you're a little bit hesitant about going into mirrorless because of the megapixel point that's pretty much gone. Meaning that now you will be able to crop your photos without losing any detail.

The two main things that I consider to be the biggest improvements is the autofocus system and the video. It's worth mentioning that Fujifilm cameras take beautiful photos but are rarely used for sports photography because of their slow AF. The company has definitely been trying to resolve this issue with XT-1 than with X-Pro2 and they've really upped their game in XT-2. So now we have a choice between either 91 or 325 autofocus points as well as continuous autofocus mode which lets you track moving subjects. Plus the system is very reliable and delivers maximum performance in any situation. Like I said previously sports photographers typically have shied away from Fujifilm, but now everything has changed and speaking of action shooting the camera can shoot 14 frames per second with electronic shutter.

The second major area of improvement to the XT-2 is the video. Now the camera can record 4k at 30 frames per second or 1080p at up to 60 frames per second both of those will shoot at 100 megabits per second that's going to give you very high-quality footage. Fuji has also added 4k output via the HDMI port if you want to record to an external recorder. Moreover, you can output the video in F-log profile which is basically Fuji's version of the C-Log which is good for color grading. In addition, you can also use Velvia, Provia and other classic picture profiles to get the ​cinematic shot on your camera.

​Now one caveat that I want to mention is the fact that you can shoot 4K video only for 10 minutes at a time, that's because the battery gets hot. However, if you have a vertical boost grip you can increase the record time to 13 minutes.

Now one caveat that I want to mention is the fact that you can shoot 4K video only for 10 minutes at a time, that's because the battery gets hot. However, if you have a vertical boost grip you can increase the record time to 13 minutes.
The second major area of improvement to the XT-2 is the video. Now the camera can record 4k at 30 frames per second or 1080p at up to 60 frames per second both of those will shoot at 100 megabits per second that's going to give you very high-quality footage. Fuji has also added 4k output via the HDMI port if you want to record to an external recorder. Moreover, you can output the video in F-log profile which is basically Fuji's version of the C-Log which is good for color grading. In addition, you can also use Velvia, Provia and other classic picture profiles to get the best shot on your camera.
The two main things that I consider to be the biggest improvements to the XT-2 is the autofocus system and the video. Starting with AF it's worth mentioning that Fujifilm cameras have never really been considered great autofocus cameras, they take beautiful photos but are rarely used for sports photography because their AF has been a little bit slow. Fujifilm has definitely been trying to resolve this issue with XT-1 than with X-Pro2 and they've really upped their game in XT-2. So now we have a choice between either 91 or 325 autofocus points as well as continuous autofocus mode which lets you track moving subjects in different ways. Plus the system is very reliable and delivers maximum performance in any situation. Like I said previously sports photographers typically have shied away from Fuji because that doesn't have that fast AF system, but now everything has changed and speaking of action shooting the camera can shoot 8 frames per second in normal mode and 11 frames per second in boost mode. In addition to the electronic shutter, it can shoot 14 frames per second. They've also improved the image processor and with brand new X-Processor Pro image processing engine, you can shoot up to 83 JPEGs or 27 raw photos.
The Panasonic G7 is a mirrorless Micro Four Thirds camera that shoots 4K video and it's the little brother to the GH4. The G7 can do about 90% of what the GH4 can do but at less than half the cost, so why is the G7 a perfect YouTube camera? well first of all the G7 is a mirrorless camera, so mirrorless cameras are traditionally lightweight and they're lighter and more compact than traditional DSLRs that have mirrors inside them.


The G7 has over traditional DSLRs another advantage that mirrorless cameras have over DSLRs are the focus sensors which usually makes mirrorless cameras better for video. DSLRs cannot use face detection with the mirror of while recording video so they have to use the contrast detection focus method which is slower. The G7 comes with a 16 megapixel Micro Four Thirds sensor that can record in 4K UHD. Now you may be wondering why you would need to record in 4k for youtube videos especially when most people are still viewing 1080p videos on 1080p screens most people don't have 4k monitors yet well. The answer is simple when you recording 4k you're getting four times the resolution of 1080p and when you record in 4k and you put it on a 1080p timeline on with your video editing software, for example, you're going to get more sharpness more detail in the shot when you export at 1080p with that 4k original footage. Another advantage of shooting in 4k and outputting in 1080p is that you're essentially getting two different shots when you do that, because when you shoot in 4k you got 4k image and you can punch into the 1080p area and it makes it look like you have two different lenses or two different camera setup at two different angles or depths without losing any quality when you output in Full HD 1080p




Now not only does this record 4k but it can record Full 1080p HD at 60 frames per second, so not very many traditional DSLRs that are in the same price ranges this do that. They only go up to 30 frames per second in Full HD so the advantage of being able to choose 60 frames per second and Full HD is that you can either shoot in 60 frames per second for the whole video and export in 60 frames per second and you can have a 60 FPS video or you can shoot at 60 fps and then slow it down to a 24 frames per second timeline and have this super slow motion which looks really cool.



The sensor in this camera is smaller than a full-frame sensor that is in higher quality more expensive cameras. Plus not only can you use micro 4/3 native lenses on the g7 but with an adapter called a speed booster, you can use lenses that were made for Canon DSLRs or Nikon DSLRs. For example that Sigma 18-35 millimeter lens is actually made for Canon apps-c DSLRs though with a speed booster it can be used on the g7 it's one of the most popular lenses among g7 users. Now the speed booster also gives it a faster f-stop so you can really max out the aperture and get that creamy milky bokeh.



The G7 is very easy to learn it's very customizable the menus and controls you can do pretty much everything. Now one of my favorite things about the G7 is the fully articulating touchscreen, so the flip out screen on the g7 it is a touchscreen so that works perfectly alongside autofocus so you can tap on the screen and it will auto so it will focus on whatever you tap on and it's super easy to use the controls on the touchscreen as well when you're recording it makes it easy to do. So I really think that is one of my priorities for a camera if I'm looking for it's got to have a fully articulating screen that flips around to where I can see myself if I'm recording myself so that is a huge advantage that the g7 has (as well as for YouTubers).



Now one of my other favorite features on the g7 and that not many people think about is that it has built-in Wi-Fi and Panasonic offers a free app for your smartphone that you can download and use it to connect to your g7 when you're on the same Wi-Fi network. So you can control your g7 from your phone while you're recording so you can see yourself on the app when you're just about to record if you're far away you can actually tap on your face on your phone and it will focus on you so you're basically using the touch the focus and the touch screen just like you would on the-the g7 screen itself, but you're using on your smartphone and it works just the same, way so you have access to all controls on the screen via the touchscreen on your phone with the app it's super awesome it's really convenient.


I actually use it a lot more than I thought I would and of course, the g7 has a built-in microphone input jack along with the hot shoe mount on top so you can put on your favorite external microphone and get the good audio quality that you really need, because audio is just as important as video. When it comes to the best bang for your buck the g7 is at the top of the line it's hard to find something cheaper than the g7 that offers everything that the g7 has to offer so you can get a brand new g7 body on eBay for less than $500 or you can get the g7 body plus the kit lens on Amazon for right around $700 right now and that kit lens is actually pretty decent if you have enough lighting the Panasonic g7 is just an awesome camera I love it I'm glad I have it for the quality and features that you get you just can't beat for how low-cost it is compared to similarly priced cameras it's definitely the best in its price range especially for video and for youtubers.
Now when it comes to low-light this is where the a7S shines. In the megapixel war, Sony has chosen to keep things a little bit different and put in a 12-megapixel sensor which allows to bring in much larger light-absorbing pixels and the results were clearly amazing. Sony a7S is actually a really good still camera as well, for all those looking for some monster pixels soaking up a tremendous amount of dynamic range.​

Overall the a7S is a great camera, especially for video. Sony has challenged the industry in so many ways that the a7S feels like a no-compromise camera, unlike some of my Canon models. It really feels like all of the limitations are technology related and not that Sony was holding back on this camera at all.

​Overall I'm really impressed with new XT-2. Fujifilm has really taken a hard look at what their strengths and weaknesses are and they've specifically tried to improve autofocus and video. The changes that they have made are significant, enough that this camera is now considered to be the best mirrorless camera on the market.

Overall I'm really impressed with new XT-2. Fujifilm has really taken a hard look at what their strengths and weaknesses are and they've specifically tried to improve autofocus and video. The changes that they have made are significant, enough that this camera is now considered to be the best mirrorless camera on the market.

Pros

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    ​24.3MP ​CMOS III APS-C sensor
    24.3MP X-Trans CMOS III APS-C sensor
    Large, accurate viewfinder
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    ​X-Processor Pro engine
    X-Processor Pro engine
    Uncompressed 8-bit 4:2:2 4K-resolution
  • ​faster AF
    faster AF
    autofocus in very low light
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    ​​4K high-Definition video
    Dust and moisture-resistant
    Decent battery life
  • ​​Dust and moisture-Resistant
  • ​Ultra-Fast Real Time Viewfinder
    Ultra-fast Real Time Viewfinder
    Silent Shooting mode
  • ​tilting LCD Screen
    tilting LCD Screen
    Outstanding high ISO performance

​Cons

  • ​Weak battery life
    Weak battery life
    Single card slot
  • ​No touchscreen
    No touchscreen
    imited selection of native full-frame lenses

​Sony A9

Sony Alpha A9
Panasonic LUMIX GH5 4K Camera

Sony a9

​Sony has really put their stamp on the camera market over the last few years. Recently overtaking Nikon in overall full frame camera market sales in the U.S. To continue this momentum, Sony has announced the A9 their newest stills camera that looks to please photographers looking for a properly pro body in a mirrorless form factor. The A9 has a 24-megapixel full-frame stacked CMOS sensor with integrated memory, which gives the A9 data processing speeds that are 20 times faster than any previous Sony full frame camera.

Sony has really put their stamp on the camera market over the last few years. Recently overtaking Nikon in overall full frame camera market sales in the U.S. To continue this momentum, Sony has announced the A9 their newest stills camera that looks to please photographers looking for a properly pro body in a mirrorless form factor. The A9 has a 24-megapixel full-frame stacked CMOS sensor with integrated memory, which gives the A9 data processing speeds that are 20 times faster than any previous Sony full frame camera.
The Panasonic GH4 came around it was really the first camera to deliver 4k into the hands of the budget indie filmmakers but with the Panasonic GH5, there's a lot of new features.

One of the first things we notice is just how well built this camera is. The ergonomics are well-thought-out it's solid and it feels great in your hands. Keeping your kit light but also not sacrificing quality that is always very appealing to filmmakers like us having dual SD card slots adds another layer of security. You can get creative with your storytelling because the new GH5 now offers 4k 60 frames per second and then 180 frames per second in 1080p it opens up a lot of creative options for filmmakers. Thanks to the dual image stabilization on the lens and on the sensor with the GH5 we were able to get great footage. I was also impressed with the details that camera was able to hold thanks to the 20.3-megapixel sensor and  In-body stabilization.

Moreover, It's powered by the battery inside the GH5 and the audio is transferred cable-free to the video file on the SD card. This interface unit also supports 48-volt phantom power, which provides power to condenser microphones and also includes independent pads, low-cut filters and gains control on each channel. The XLR1 also has a hot shoe mount on top, enabling you to conveniently mount a microphone, wireless microphone receiver or a video light. Also available is Panasonic's V-Log profile, which enables videographers to capture images with the same flat color profile found in Panasonic's top line broadcast cameras. This profile offers exceptional flexibility, as well as a wider dynamic range for color grading in post-production mainly because It increases the GH5's dynamic range in video shooting to over 12 stops of latitude.

​The GH5 has been the source of a lot of talks lately and for good reason. It's a very interesting and well-priced camera with a micro 4/3 sensor, which shoots 4K footage internally with Panasonic V-Log picture profile. ​The camera feels Solid with better buttons, joystick and the dial which I think is a big improvement over the GH4.  Actually, all the buttons and dials are laid out nicely so that everything that you need to change is easily accessible and feels very intuitive as well.    

​In the real world, the Sony A9 is able to shoot an impressive 20 frames per second with a buffer of up to 241 raw images or 362 JPEGs. Meaning that Sony is clearly targeting action sports and wildlife photographers with the following specs. The A9 also features 693 face detection auto-focus points that cover 93 percent of the sensor's frame, a 3.68 million dot OLED EVF that can run at 120 frames per second, Sony's 5-Axis in-body stabilization, 4K video recording oversampled from a 6K readout, dual SD card slots, and an improved battery life.

Moreover, Sony's Continous view blackout free OLED Tru-Finder claims to deliver distortion-free silent shooting with the electronic shutter, which allows a shutter speed of up to 1/32000 of a second. For their first time in Sony's lineup, it looks like using the electronic shutter for its silent operation is a viable way to shoot with this camera most of the time. Allowing shooting anywhere where the sound of a mechanical shutter could ruin the moment you are trying to capture. While Sony has included 4K video support like in the A7R Mark II its a bit disappointing to see that they have yet to include a log profile in the A9, which would have rounded out the camera's video features very nicely. Since the new stack sensor should perform much better in terms of rolling shutter and the 24-megapixel sensor also makes this a very compelling hybrid stills and video camera on paper. Sony is likely saving the more video focused approach for their next entry in the A7 series of cameras.

Moreover, Sony's Continous view blackout free OLED Tru-Finder claims to deliver distortion-free silent shooting with the electronic shutter, which allows a shutter speed of up to 1/32000 of a second. For their first time in Sony's lineup, it looks like using the electronic shutter for its silent operation is a viable way to shoot with this camera most of the time. Allowing shooting anywhere where the sound of a mechanical shutter could ruin the moment you are trying to capture. While Sony has included 4K video support like in the A7R Mark II its a bit disappointing to see that they have yet to include a log profile in the A9, which would have rounded out the camera's video features very nicely. Since the new stack sensor should perform much better in terms of rolling shutter and the 24-megapixel sensor also makes this a very compelling hybrid stills and video camera on paper. Sony is likely saving the more video focused approach for their next entry in the A7 series of cameras.
Either way, the GH5 is cheaper and completely holds up and in some cases passes the a7S. Overall I would say that the GH5 is an intuitive and easy to use camera with solid image quality, great slow motion features and it is absolutely geared towards filmmakers. Panasonic has definitely been listening to what their users actually want, so in the end, I think this is an excellent upgrade to the GH4.

​Overall the Sony A9 looks to be very well placed in the market to take on Canon's and Nikon's offerings and it is by no means a professional mirrorless camera, considering its new features.

Overall the A9 looks to be very well placed in the market to take on Canon's and Nikon's offerings and it is by no means a professional mirrorless camera, considering its new features.

Pros

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    ​24MP Full-Frame stacked CMOS sensor
    24MP Full-frame stacked CMOS sensor
    4K internall Video Recording V-Log Flat Picture Profile 1080pHD in 200 mbps Bitrate 4:2:2 10-Bit video can be recorded through external recordersasdsa
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    ​No Optical low-Pass filter
    No Optical low-pass (anti-aliasing) filter
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    ​5-Axis Sensor-Shift Image Stabilization
    5-axis Sensor-shift Image Stabilization
  • ​3″ Tilting Screen
    3″ Tilting Screen
  • ​20.0 fPS continuous shooting
    20.0 fps continuous shooting
  • ​4K video resolution
    4K - 3840 x 2160 video resolution
  • ​Built-In Wireless
    Built-in Wireless
  • ​Weather Sealed Body
    Weather Sealed Body

​Cons

  • ​Heavy Body
    Heavy Body
    Micro Four Thirds Sensor Poor Dynamic Range Not so good low Light Performance
  • ​Only one UHS-II slot
    Only one slot UHS-II
  • ​No external battery charger
    external battery charger
The sixth entry in this list is the Panasonic GH4. This is the mirrorless camera with a micro 4/3 sensor. It shoots 4k footage internally with Panasonic v-log slat picture profile. This is a very good camera considering its price point. The newer version of the camera the Panasonic GH5 has recently launched at CES 2017 and will be available soon. Here are some pros and cons to consider.


The GH5 has been the source of a lot of talks lately and for good reason. It's a very interesting and well-priced camera not to mention GH4 was a big deal for a lot of people. The GH5 feels Solid with better buttons, joystick and the dial which I think is a big improvement over the GH4.  Actually, all the buttons and dials are laid out nicely so that everything that you need to change is easily accessible and feels very intuitive as well.

With the new version now there are mic and headphone jacks and most importantly a full-size HDMI port and USB C port. Plus the flip-screen with a really solid LCD which is also a touchscreen and a very responsive. The menu is really intuitive as well definitely one of the easier to navigate and understand compared to other systems. The nice thing is that right up front on the display before even going into the menu we have quick access to the essential functions like white balance, ISO, shutter speed picture profile and record settings.

One of my absolute favorite things on this camera is the slow-motion capabilities, this one feels really smooth and I probably say that it's my favorite camera under $10k that I've shot slow-mo with. Just super easy to use and really solid results, rolling shutter is actually pretty minimal for this type of camera as well definitely a lot better than a7S.


Either way, the GH5 is cheaper and completely holds up and in some cases passes the a7S. Overall I would say that the GH5 is an intuitive and easy to use camera with solid image quality, great slow motion features and it is absolutely geared towards filmmakers. Panasonic has definitely been listening to what their users actually want in an upgrade, so in the end, I think this is an excellent upgrade to the GH4.


So should you buy a GH5? in my opinion if the micro 4/3 doesn't bother you need something at that price and you don't need something that's crazy good and low light, this would be a perfect camera for you.
My last week for this list is the Sony A7s mark II. Now, this is the camera for all the independent filmmakers to look for even in 2017. It is a 12-megapixel mirrorless camera which should stunning 4k footage internally with this whole full-frame sensor even in extremely low light condition. Its support Sony's if log 3 flat picture profile which extends this dynamic range to around 15 stocks, which is incredible. Here is a list of pros and cons to be considered

The new Sony A7s mark II brings some awesome capabilities to the original a7 and combines them with a new 12-megapixel sensor. You got a ton of video features such as zebras, peaking and it'll record it all internally at up to 60 frames per second at 1080p or up to 4k at 30 frames per second if you use the external recorder through the HDMI port.

Now when it comes to hardware the Sony A7s has a really good feel to it, so the overall build quality is very nice. The grip is also adequate and each button is customizable which is one of the things that I love most about it. Plus it's got a 12 option function menu to really keep every button that you could ever want at your disposal, these can be activated at any even during shooting which is a really handy feature during the video recording.

The A7s also has the microphone, headphone, and HDMI inputs in order to have full control of the audio even while shooting which is awesome. The electronic viewfinder which is pretty good quality is also very helpful for seeing exposure in direct sunlight. Now this camera also has built-in Wi-Fi which is a great addition and NFC is also here for easy pairing and the only complaint that I had is that photographers get full control manually of all of the camera settings, however, videographers on this camera only get a start and stop record.

Now when it comes to low-light this is where the A7s shines. flying in the face of the megapixel war Sony has chosen to keep things a little bit different and put in a 12-megapixel sensor which allows to bring in much larger light-absorbing pixels and the results were clearly amazing.

Now guess what the sony a7s is actually a really good still camera as well for all those looking for some monster pixels soaking up a tremendous amount of dynamic range I mean low light results for photographers were equally stunning with the autofocus being quick and accurate a plenty of options

Overall the Sony a7s is a great camera, especially for video. now Sony has challenged the industry in so many ways that the A7s feels like a no-compromise camera, unlike some of my Canon models. It really feels like all of the limitations are technology related and not that Sony was holding back on this camera at all, all of the options that I want are there.
My next pick in this list is the indie filmmakers favorite Canon 5D Mark IV. The previous generation of this beast that Canon 5d Mark III has been the go-to camera for most independent filmmakers around the world for quite a few years now. Canon has recently launched the upgraded version of the cameras that Canon 5d Mark IV with some key improvements. There is a list of pros and cons to be considered.

DJI Phone Camera Gimbal
The fourth entry is a bit odd on this list but can be a great option to look for. It's the iPhone 7 plus or any other smartphone with DJI Osmo mobile or the DJI Osmo itself. This is probably the best option to get awesome looking cinematic 4K footage inexpensively. Chances are you already own an iPhone 7 or any similar smartphone which should decent 4k footage natively. The 4k footage from the iPhone 7 plus looks really awesome and cinematics you can attach it with a DJI Osmo mobile and use the whole rig as a Steadicam to get fluid moving shot just download the Filmic Pro Mobile app from the App Store to get manual control over the video camera of the iPhone to set exposure and focus manually and you are good to go. Otherwise, you can go for the standalone DJI Osmo which is also a motorized gimbal stabilizer with an awesome inbuilt 4K camera.


Panasonic GH5


Panasonic LUMIX GH5 4K Camera

No single company has pushed 4k video like Panasonic, its GH series has represented the best blend of sharp photos and pro-grade video in a single package. When the Panasonic GH4 first came around it was really the only camera to deliver 4k into the hands of the budget indie filmmakers but with the Panasonic GH5, there's a lot of new features.

First of all the build quality is premium. The ergonomics are well-thought-out and it feels great in your hands. Keeping your kit light but also not sacrificing quality is always important for filmmakers and this camera has certainly achieved this goal. You get new 20.3MP Micro Four Thirds sensor, 5-Axis In-body stabilization, weather sealing and dual SD card slot all packed in a very compact body. Moreover, this camera supports 48-volt phantom power and includes independent pads, low-cut filters and gains control on each channel. In addition, there is a hot shoe mount on top, enabling you to conveniently mount a microphone or a video light.

The camera opens up a lot of creative options for filmmakers to get creative with their storytelling. Thanks to new high-performance sensor and Venus Engine 10 processor GH5 can now record 4k at 60 frames per second and 180 frames per second in 1080p. Plus it features V-Log profile, which enables videographers to capture images with the same flat color profile found in Panasonic's top line broadcast cameras. Moreover, the dual image stabilization delivers exceptionally great looking video in any situation. Considering all these factors I assume that in 2018, Lumix GH5 will be the most fully featured video-centric mirrorless camera thanks to firmware updates that will unlock even more shooting modes.

Overall the GH5 continues the Lumix tradition of giving videographers everything they'd want in a mirrorless body. When taken as a whole the GH5 is a camera unlike any other, it's not perfect and it's not going to be everything to everyone but Panasonic has pushed the envelope for another generation of GH. It might make your wallet hurt but is definitely the best video cameras you can find on the market today.

Pros

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    ​20.3MP Micro Four Thirds sensor
    20.3MP Micro Four Thirds sensor
    4.6K Super-35mm CMOS Sensor
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    ​internal recording at 4k60/50P
    internal recording at 4k60/50P
     4608 x 2592 Video up to 60pCinemaDNG and ProRes 444 & 422 RecordingFull Set of External ControlsBuilt in ND Filters
  • ​ISO 200 - 25600
    ISO 200 - 25600
  • ​12.0 fps continuous shooting
    12.0 fps continuous shooting
  • magnesium alloy body
    durable magnesium alloy body
  • ​Built-in Wireless
    Built-in Wireless
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    ​5-Axis In-body stabilization
    5-Axis photo/video Dual I.S.. 2.0 up to 5 Stops with compatible LUMIX MFT lenses, plus In-body stabilization

​Cons

  • ​Low Battery Life
    Low Battery Life
    price tag

​Sony A7R Mark III

Sony α7R
Canon C100 Mark II

Sony a7R III

​The Sony a7R III is definitely one of the best mirrorless cameras on the market today and I would suggest this only to people that are professionals or do photography jobs because it is pretty expensive. The camera features 42-megapixel back-illuminated Exmor R CMOS sensor, 5-axis in-body image stabilization, and 4K (3840x2160) video. Moreover, a7R has a 3-inch tiltable LCD display as well as built-in Wi-Fi which makes it easy to change camera settings directly from your smartphone or tablet.

The Sony a7R III is definitely one of the best mirrorless cameras on the market today and I would suggest this only to people that are professionals or do photography jobs because it is pretty expensive. The camera features 42-megapixel back-illuminated Exmor R CMOS sensor, 5-axis in-body image stabilization, and 4K (3840x2160) video. Moreover, a7R has a 3-inch tiltable LCD display as well as built-in Wi-Fi which makes it easy to change camera settings directly from your smartphone.

​Externally the a7R III appears to share the same body and ergonomics as the Mark II but Sony claims that weather sealing is better. The camera inherits some key controls from the Alpha a9 meaning that you get a larger rear wheel with much more tactile feedback than before, plus a new joystick that's perfect for positioning the autofocus area or navigating a menu. Sony also comes with dual SD memory card slots that thankfully now support relay recording. But the most important company has solved one of the biggest issues concerning the battery life. So you'll be delighted to know that they managed to squeeze the latest battery from the a9 into the a7R Mark III smaller body, which means that this upgrades will double the battery life.

​The Mark III now features a Pixel Shift Multi Shooting mode that captures full raw images shifted by one pixel in each direction, to eliminate false color caused by the Bayer color filter array. Sony also added support for hybrid log gamma HDR when used with a compatible display. The super 35mm 4k mode in 4K still delivers superior quality and thanks to the built-in stabilization now it's possible to capture perfect handhold shots especially if you're using a lens that also has an optical stabilization. 4K is still limited to 30 frames per second, but if you shoot in 1080p you can now do it at up to 120 frames per second. Moreover, the screen is now a touch sensitive and continues autofocus is supported with the silent electronic shutter at 10 frames per second.

The Mark III now features a Pixel Shift Multi Shooting mode that captures full raw images shifted by one pixel in each direction, to eliminate false color caused by the Bayer color filter array. Sony also added support for hybrid log gamma HDR when used with a compatible display. The super 35mm 4k mode in 4K still delivers superior quality and thanks to the built-in stabilization now it's possible to capture perfect handhold shots especially if you're using a lens that also has an optical stabilization. 4K is still limited to 30 frames per second, but if you shoot in 1080p you can now do it at up to 120 frames per second. Moreover, the screen is now a touch sensitive and continues autofocus is supported with the silent electronic shutter at 10 frames per second.
Building on the ergonomics of the previous model the camera is better laid out and more comfortable to use. Plus ​the new LED screen is completely redesigned to give brighter, more accurate images and nearly a hundred percent coverage of the frame. It also has a wider range of motion than its predecessor, allowing it to be used both by the camera operator or a director. Other subtle improvements in ergonomics include stronger indentations on the buttons to find them by feel, changing the color-coded on record button to meet the industry standard. The camera also features wireless FTP transfer and accepts both canons GPE - GPS receiver to get accurate location and time information. And there is a remote control for adjusting the camera settings remotely when used out of reach for example on a drone.

Canon has produced a number of dedicated camcorders in their cinema EOS lineup since 2012 and this C100 Mark II ​is the beginning of the second generation within the range. It comes exclusively with Canon's EF lens mount allowing access to the full range of Canon EF and EF-S lenses. The camera uses an 8.3MP Super 35mm CMOS sensor, which can shoot in an ISO range from 320 right up to 102,400 ISO and this is paired with the new Digic DV 4 image processor. The end result from this promises greater fine detail, better color reproduction than that seen in the video produced by the previous model or Canon's DSLR's.

​Overall the upgrades to the Mark III make it a perfect mirrorless camera for your future project, with the fast autofocus system, better controls, improved battery life and new electronic viewfinder.

Overall the upgrades to the Mark III make it a perfect mirrorless camera for your future project, with the fast autofocus system, better controls, improved battery life and new electronic viewfinder.

Pros

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    ​42.4 MP back-illuminated Exmor sensor
    42.4 MP back-illuminated Exmor R CMOS sensor
    Super 35mm 8.3MP CMOS Sensor
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    ​Advanced Hybrid AF system
    Advanced Hybrid AF system
    Dual SDHC/SDXC Media Card Slots
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    ​BIONZ X Image Processor
    BIONZ X Image Processor
    ISO 320 to 102,400
  • ​ISO 100 - 32000
    ISO 100 - 32000
  • ​Dual SD media card Slots
    Dual SD media card Slots
    AVCHD + MP4 Recording
  • ​3.0″ Tiltable LCD
    3.0″ Tiltable TFT LCD
    HDMI Output with Timecode
  • ​Built-In Wi-Fi and NFC
    Built-In Wi-Fi and NFC
    WiFi Capability
  • ​4K - (3840 x 2160) video resolution
    4K - 3840 x 2160 video resolution
  • ​Compatibility with E-mount Lenses
    Compatibility with E-mount Lenses
  • ​Weather Sealed Body
    Weather Sealed Body

​Cons

  • ​Menu has to redesigned
    Menu has to redesigned
high-definition camcorder
Panasonic GH5
Blackmagic Design URSA Mini 4K
No single company has pushed 4k video like Panasonic, its GH series has represented the best blend of sharp photos and pro-grade video in a single package. When the Panasonic GH4 first came around it was really the only camera to deliver 4k into the hands of the budget indie filmmakers but with the Panasonic GH5, there's a lot of new features.
​​The Blackmagic Ursa Mini is basically a professional-grade Cinema Camera designed for small-time production companies, as well as independent filmmakers and it comes at a super aggressive price point. Essentially the Ursa mini is a compact version of the full-size Blackmagic Ursa Cinema Camera that came out a couple of years ago, ​but in terms of the design and form factor, it's quite compact. There's a couple of different versions available, so you can choose to get either the 4K version or the 4.6K version. Both are Super-35mm CMOS sensors and obviously, you can select from EF Canon mount or PL mount if you want to use cinema-grade lenses.

The camera opens up a lot of creative options for filmmakers to get creative with their storytelling. Thanks to new high-performance sensor and Venus Engine 10 processor GH5 can now record 4k at 60 frames per second and 180 frames per second in 1080p. Plus it features V-Log profile, which enables videographers to capture images with the same flat color profile found in Panasonic's top line broadcast cameras. Moreover, the dual image stabilization delivers exceptionally great looking video in any situation. Considering all these factors I assume that in 2018, Lumix GH5 will be the most fully featured video-centric mirrorless camera thanks to firmware updates that will unlock even more shooting modes.
Overall the GH5 continues the Lumix tradition of giving videographers everything they'd want in a mirrorless body. When taken as a whole the GH5 is a camera unlike any other it's not perfect and it's not going to be everything to everyone but Panasonic has pushed the envelope for another generation of GH, it might make your wallet hurt but the GH5 is definitely the best camera Panasonic has ever produced and one of the best video cameras you can find on the market today.
Overall the GH5 continues the Lumix tradition of giving videographers everything they'd want in a mirrorless body. When taken as a whole the GH5 is a camera unlike any other, it's not perfect and it's not going to be everything to everyone but Panasonic has pushed the envelope for another generation of GH. It might make your wallet hurt but is definitely the best video cameras you can find on the market today.
RED Weapon 8K
So to sum up this is the dream camera that everyone ​loves and for me, it's definitely the future of the cinematography.
​Red cameras are inherently difficult to review because their modularity ​which ​gives almost unlimited configurations plus they are extremely expensive. So I will focus mainly on the body and what to expect from this beast. The most obvious reason you want to buy this camera is the sensor. In the Weapon body or brain as RED likes to call is their HELIUM sensor which shoots  8192 x 4320 video at up to 60 frames per second, but the benefit of this is not immediately obvious to the average person. It's not about publishing at 8k, it's about flexibility in post. Being able to ​edit the footage with a very minimal loss in image quality.

Digital movie cameras
The Blackmagic Ursa Mini is basically a professional-grade Cinema Camera designed for small-time production companies, as well as independent filmmakers and it comes at a super aggressive price point for camera geeks this is almost a perfect camera when it comes to the design and form factor.

Now essentially the Ursa mini is a compact version of the full size of Blackmagic Ursa Cinema Camera that came out a couple of years ago now obviously in terms of the design and form factor it's quite compact measuring 21 centimeters in terms of length and it's about 16 centimeters in terms of width and the camera body itself weighs just about 2.2 kilograms or just under five pounds.

There's a couple of different versions of this camera so you can choose to get either the 4k version or the 4.6K version. Both are Super-35mm CMOS sensors and obviously, you can select from EF Canon mount or PL mount if you want to use cinema-grade lenses.

By all means, this is pretty much a professional-grade camera designed for actual field use. It's made out of magnesium parts it's very lightweight and strong as we mentioned before. The whole camera is really optimized for professional workflow environment so you have things like 12G SDI in and out port as well as dual XLR inputs with phantom power. It also features physical audio gain controls for your microphone levels as well as a headphone jack so you can monitor all your audio parameters.

In terms of the controls and operations, this camera is actually fairly easy to use. A big 5-inch articulating capacitive touchscreen which is a very responsive and easy to use and most of your camera settings and parameters are going to be done through the menu which does make sense. In terms of controlling other aspects of your picture such as the white balance, the ASA as well as the shutter angle all those things are controlled in the menu and it's very hard to change them on the fly when you're shooting. So it would be nice to have some physical buttons and control over some of these important picture parameter settings.

One of the great things about this camera is certainly the amount of variety you have in terms of different recording formats. Firstly in terms of the resolution, you can either shoot in two different 4k standards and obviously in Full HD and all those have different compression rates.  When you shoot RAW you're pretty much shooting the native resolution of the sensor which is 40000 x 2160, but you also have a QHD and of course Full HD. In terms of frame rates, you can shoot all the way from a 23.98 to 60 frames per second or 120 frames per second in Full HD.

The video quality coming out of this thing is absolutely sensational, especially in well-lit conditions. When you shoot at ProRes 444 the dynamic range is absolutely excellent and raw it's going to be even better. Plus you also get a free copy of DaVinci Resolve which is always awesome with these Blackmagic cameras. The sharpness is as you would imagine in the 4k setting absolutely sensational extremely sharp images.

To summarize everything firstly I love the modular design, it's an excellent camera in terms of form factor and ergonomics and the build quality is impeccable. Certainly, there's a level of customization which is going to be excellent for people that want to configure their own rigs for this camera. Next, you have excellent audio options and great monitoring options, so it's excellent for both the actual video quality and the audio is going to be up there as well.

The last thing I like about the camera is the overall competitive price point, obviously you're going to need a couple of essential accessories but even at the kind of baseline configuration it's very competitively priced and very difficult to find a camera with all these features and a 4k raw cinema camera especially an established market from other manufacturers.
Overall this is a pro camera and not ideal for amateurs or families the pocket camera is great when it comes to shooting films music videos commercials and documentaries.

​Conclusion​


best camera for filmmaking 2017

​So those are my basic kind of starting recommendations for somebody interested in Mirrorless cameras in 2018. The following guide combines all types of cameras for different needs which makes it perfect for anybody. Plus it's important to note that companies are constantly upgrading their lineup and there might be some other models which are pretty good as well. So if you have any recommendations, feel free to leave your comments, suggestions or corrections.

So those are my basic kind of starting recommendations for somebody interested in Mirrorless cameras in 2018. The following guide combines all types of cameras for different needs which makes it perfect for anybody. Plus it's important to note that companies are constantly upgrading their lineup and there might be some other models which are pretty good as well. So if you have any recommendations, feel free to leave your comments, suggestions or corrections.
​So those are my basic kind of starting recommendations for somebody interested in filmmaking. You can probably get one of those camera bodies for just $100-$300 and I would certainly think you could put together some sort of kit for under $1000 even with some pretty good lens. So that isn't really a lot of money considering that these cameras will give you an image quality that a few years ago you couldn't have for four or five thousand dollars. So if you're looking for a starter camera that's my best advice at this point.

If you have any recommendations, please feel free to relay your comments, suggestions or corrections.
So those are my basic kind of starting recommendations for somebody interested in filmmaking. You can probably get one of those camera bodies for just $100-$300 and I would certainly think you could put together some sort of kit like this for under $500 even with some pretty good lensing under $1000.  So you know that's kind of $200-$400 dollars you're going to spend at least that probably putting together something like this, but that really isn't a lot of money considering that these cameras will give you an image quality that a few years ago you couldn't have for forty or fifty thousand dollars. So if you're looking for a starter camera that's that's my best advice at this point.

Magic Lantern
best camera for filmmaking on a budget
In this article I will start out the best possible camera choices for all the independent filmmakers for different budget ranges and for various shooting needs, so keep reading. Please note that this post is aimed mainly towards the filmmakers or anyone who are mostly concerned about the video feature of a camera. If you are more interested in photography then this video may not be for you so keeping that aside let's jump into the list of my top 8 camera recommendations for in Independent Filmmakers.

One of the questions that I get asked pretty often by people as a filmmaker and educator is what camera do you recommend for somebody who doesn't have a lot of money, who wants to start getting their feet wet with cinematography or filmmaking and you know there are a lot of ways you could answer that question and I guess my first answer is whatever camera you can find.

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